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Actress finds light within for

Belle of Amherst

by Kip Richardson
Special writer, The Oregonian

"To find the light within -- that is poetry"

Those words written by Emily Dickinson might also describe the art of acting.  In "The Belle of Amherst", an independent production at Portland Civic Theater, it is actress Mary Wadkins' ability to find the humor and optimism within the essentially sad character of Emily Dickinson that makes the show as success.  

Written by Portland native William Luce, "The Belle of Amherst" recounts Dickinson's life, primarily through her poems and letters.  The format -- a woman alone on stage -- is poignantly appropriate for this story. Dickinson has 20th century ideas, but was trapped in a 19th century New England.  Laughed at as an eccentric, she became a recluse, stubbornly choosing to build her own world inside her father's house rather than live in a society that would not accept her as she was.

"Words are my life" she declares.  "I look at words as if they were entities."  Wadkins caresses each of Dickinson's words, bringing them to life with loving care.  The poetry is smoothly integrated into the dialogue, and Wadkins shifts between the two with effortless ease.

To portray the poet's vivid internal life, the play "wanders back and forth in time", as Dickinson reminisces about her past.  By changing only her facial expression, Wadkins shows Dickinson's transformation from a beaming young girl, to an sad but still defiant woman approaching death.  When playing the youth, the light within Wadkins shines out open and bright.  But as Emily ages, Wadkins gradually turns inward, and the light dims.

Like the playwright Luce, Wadkins grew up in Portland.  "Belle" is her first performance here since leaving to pursue her career in New York.  In a characterization full of depth and subtle nuances, this is a quietly triumphant return.

 

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